

Mix Media on Canvas 63 X 41 Inches 2011 Collection: THE FIRST CONTACT MRRS is not a form— It is a rupture in perception. This dimensional transmission is a filamented net of cognition and sensation, a suspended moment where organic intuition meets mechanical trace. A being appears, neither creature nor structure, its body carved from fractured membranes and silver nervous systems. It drips forward with impossible grace, like a neural organism weaving the boundary between matter and sound. In the Genesis era, the artist’s hand was barely present. The transmissions birthed themselves, unfiltered, unclaimed. MRRS embodies this pure state of reception. Its skin is made of accident. Its soul—of synesthetic disobedience. It does not rest in any taxonomy: part creature, part mnemonic lattice, part satellite memory. There is no center. No narrative. Only orbit. Its code was named MRRS. But its essence is arrival without warning. To witness MRRS is to be invited into a suspended rapture— An encounter where language evaporates And what remains is raw witnessing. CURATORIAL COMMENTARY by Dong-hyun Yoon Archive for Trans-Contextual Inquiry, ATI Seoul/Berlin.