

Mix media on canvas 90 X 120 cms 2024 Collection: BEFORE THE SHARD Relic No.BTS-V..O4 Energetic Function: Transmutation chamber for chaos into coherence. Symbolic Role: Hidden sanctum for calibration. Surveillance relic. Czong Institute for Contemporary Art, "Post Cards from Other Worlds" , SOLO EXHIBITION. Cradle of Inverted Frequency does not echo—it absorbs, processes, and re-emits vibration in a reversed logic. The jagged ivory forms rise like petrified hymns, encasing a singular eye that watches from beneath the threshold of conscious sound. Suspended black tears—viscous and dimensional—float in a field where gravity seems reprogrammed. This relic functions as an alchemical transducer: what enters it as one kind of wave returns changed, stripped of its initial narrative. The architecture itself evokes an inverted cathedral—an anti-chapel—where the sacred is dismantled to reveal a more ancient purity beneath. Cognitively, the piece induces a rupture in perceptual expectation. The forms resist categorization: neither structure, nor body, nor machine. The eye embedded in silence becomes a site of resistance—demanding the viewer feel before they understand, and question even that. There is no comfort in this cradle, only the labor of unknowing. The brain, eager to assign familiarity, falters. This is by design. Cradle of Inverted Frequency is a psychological initiation—an encounter that ungrounds and unfolds the default perceptual matrix, guiding the viewer into dimensional ambiguity. What is born from this encounter is not an answer, but a new bandwidth. CURATORIAL COMMENTARY by Dong-hyun Yoon, Archive for Trans-Contextual Inquiry, ATI Seoul/Berlin.